Destruction Infernal Overkill LP heavy metal death exumer sodom kreator venom

Description: Brand new, sealed. DESTRUCTIONInfernal Overkill LP GOLD VINYL High Roller Records, reissue 2023, gold vinyl, ltd 450, 425gsm heavy cardboard cover, insert, printed inner sleeve, 2 posters, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1985 sound Schmier - Bass, VocalsMike Sifringer - GuitarsTommy Sandmann - Drums 1. Invincible Force2. Death Trap3. The Ritual4. Tormentor5. Bestial Invasion6. Thrash Attack7. Antichrist8. Black Death Mastered by Patrick W. Engel at TEMPLE OF DISHARMONY in February 2017. Original 1985 sound! “Infernal Overkill”, the much loved debut album by German thrash metal legend Destruction was first released in 1985. Their EP “Sentence of Death” from the year before had paved the way for greater things, but Destruction still kept their feet on the ground, as Schmier remembers: “We all had day jobs and/or were still training for a job. So music was just a hobby. The reactions we got for 'Sentence of Death' was a big motivation, so we kept on writing songs and rehearsed a lot at that time. I even gave up my beloved football for it and left my team cause we wanted to get the band going.”Compared to what they did on “Sentence of Death”, with “Infernal Overkill” Destruction had refined their style, trading most of the heavy metal influences for even more speed, heaviness and ferocity. That was a development Destruction had consciously worked for, as original drummer Tommy explains: “Yes, that was a consequent step in the development of the band. Some songs turned out more diversified than on 'Sentence of Death' – think of 'Black Death'. For a band playing that kind of music at that time, there were quiet a few tempo changes and pretty long songs.”To record their debut LP, Destruction had once more travelled to Berlin, the then still divided hotspot of the Cold War. Schmier has the details about the recording process: “Yes indeed, we recorded in Berlin again, and again with Horst Müller at Caet Studio. This time, Horst knew us already so he wasn’t that shocked... haha! These recording sessions were longer and went much smoother than the first ones. More experience and a better organization and time frame helped a lot.”Reviewers often praise how the album manages to be both catchy and inventive at the same time, especially when it comes to the riffing. How much of this was actually planned for, and how much of it simply came from an “instinct for good thrash”?This time it's Mike who gives the answer: “There was no big plan behind it. We just tried to be as brutal as possible... If a song is too catchy, it sometimes becomes cheesy and flat. I always wanted to present my own riff ideas, so I made them fit into our concept.”The debut features two songs from the demo, namely “Antichrist” and “Tormentor”. Schmier explains what had been changed about the album versions in comparison to the older recordings: “Basically the band had gotten a bit tighter and we changed the leads/solos. Mike’s solos on the demo were first takes, and now we had some time to work stuff out. That helped a lot. The same goes for the vocals, they have for sure improved compared to the demo version.”Asked if he would like to change anything about how the album was recorded, if someone gave him a chance to do so, Tommy gives a quite decisive answer: “Well, not really, because you can feel the tension and the aggressiveness. The record is a pretty authentic mirror of the vibes of that time. The band stood fully behind it.”Of course “Infernal Overkill” did provoke some reactions among fans and press, and Mike remembers that those reactions were “mainly very positive. But it wasn’t easy to get any information about how people liked the album, back in the day. There was no chance to get a hold of all these foreign mags and fanzines in Germany. We always had to wait for the record company to send us their collected reviews.” In his very positive review for the German Rock Hard magazine, Götz Kühnemund stated that 'for Black Metal standards, their musical skills and abilities are quite high'. Is it this what sets Black Metal and Thrash Metal apart, the level of musical technique and proficiency? Schmier does not have a simple answer to this one: “At that time, there were no fixed labels and not so much stereotyped thinking when it came to music. We called ourselves Black-Speed-Hardcore Metal back then. I think extreme European bands did not have as high musical standards as American ones, I guess that’s what Götz may have been referring to. Our guitarist Mike was ahead of time at this period, that’s for sure.”The release of “Infernal Overkill” was followed by a tour with Slayer, “which completely changed our lives…” as Schmier says meaningfully. And shortly after that, Destruction even played the World War III festival in Montreal with Nasty Savage, Possessed, Celtic Frost and Voivod in Montreal, Canada. Tommy shares a special memory from that event: “This one is not my favorite memory, but it’s the one which is still very present: The night before the concert, we went out to party with some local dudes. At some point I got separated from the rest of the guys and got lost in the city. We got into Montreal on that same day, so I had no memory of what hotel we were in or where it was located. It was November, it was cold and I strayed around Montreal all night and finally at dawn I found the hotel, freezing and tired, but meanwhile sober. There was just enough time to catch some sleep to get fit for the show, and Schmier and Mike were happy about the return of the prodigal son…” That's for sure, because if he had gone lost forever, the history of Destruction would not have been the same. But let's get back to the album and talk about it in more detail. Schmier explains what he likes best about it and if there is one single song that defines the album and sticks out among the lot, or if he prefers to look at the album as a whole: “'Bestial Invasion' with its distinguished riff is surely a fan favorite, but to me the album as a whole has a great spirit and lots of aggression. In our live set, 'Infernal' songs still have a special meaning, 'cause the kids love those songs deep from their black hearts.”Infernal Overkill was the first release to sport the legendary logo. Mike relates the story behind it: “One fine day a guy from the States sent me a sketch, presenting an idea for a new band logo. I liked it, but it was a little uneven and messy. So I refined it and added the 3D-perspective.” And Schmier has something very important to add about “Infernal Overkill” and the changes it brought about: “'Infernal Overkill' also marks the first appearance of the infamous skull – we did not know at that time that both things, logo and skull, would merge into such a big trademark even 32 years later! Alongside 'The Antichrist', 'Infernal Overkill' is still our most successful album up to this date.” Ulrike Schmitz After hearing the devastating news that Mike Sifringer left this band, I couldn't help but relisten to the most crowning achievements of one of the greatest German thrash metal bands of all time. I know, there is a couple of those, but Destruction has always been very special to me. Aside from the fact that they were the ones who got me into heavy music, I always found their music extremely unique even after hearing hundreds and hundreds of records in the same genre. This album is certainly my favorite record from the German (originally) trio, and it's no doubt one of the greatest thrash albums of all time. It is not as heavy, it is not as crushing as some others, but in its own way, it keeps up with any thrash record you put it next to. The record came out in 1985, which has been a special year for thrash metal. The genre was still evolving, but there were some thrash-defining albums this year, think about Bonded by Blood or Hell Awaits. The record's sound and style cannot be called 100% polished, crystallized thrash metal as we know that genre today. It is more like the type of speed/thrash that Show No Mercy was, and/or Feel The Fire. The pace is relatively fast, the riffs are very melodic for them being thrash riffs, the music is very catchy, so this is from the same era, and the atmosphere is just as dark and evil as it gets. If you are not into this specific type of music, this might not be for you. But if you are... This might become your favorite record of all time. Why exactly is this record one of the best thrash albums of all time? It is very well put together, it's extremely colorful, it's filled with tasty riffs, very good solos, the vocals are totally psychotic, and the whole atmosphere of the record is very complete. I would like to highlight Mike Sifringer, who in one person was the reason why I ever picked up a guitar and started playing (as a hobby). His riffs are very unique, they sound totally different from the rest of the thrash guitarist lineup. Listen to the riffs in "Bestial Invasion", "Black Death", they are just so damn colorful and darkly beautiful. Extremely few people are able to create something this far from music principles, theoretical advancedness, but more effective than pretty much anyone. His riffs and solos are perfectly able to paint the beauty of evil, the dark forces, particularly the solo of "The Ritual". Besides the outstanding guitar work, the rest of the band isn't exactly average either. Back when this album was recorded, Schmier's voice was on point, and his vocals were extremely enjoyable to listen to. He sounded like a patient who just had some type of a mental breakdown and escaped from a psychiatric home. His voice is perfectly fitting the dark, prophetic music of Destruction on this record. The drummer, Tommy Sandmann isn't exactly the greatest drummer on Earth, and there really is nothing special about his playing. He gets the job done, but that's about it. Here and there, he manages to sprinkle in a couple of fills, but those are mandatory for any decent drummer. The production of this record is probably not going to be appreciated by all listeners. First of all, this is not a badly produced album. I'm sure a lot of people would think that this was an attempt for something other than the outcome, but I don't think so. They wanted this record to exactly sound like this. The raw, flat (yet loud) drums, the strange, weirdly distorted guitars, the deep, rumbling bass all add up to a very dark, very evil sound. It is totally different than most thrash albums, but that's exactly what I love about it. It's an album with some uniqueness and something that doesn't go for the usual, polished, ultra-clean sound that everyone and their brothers go for as a thrash band. So, to conclude this masterpiece. It is probably one of the greatest German albums. Other than its importance of establishing thrash in Europe (along with others), it is actually excellent music, much greater than a lot of the albums. Thrash records do not get better than this. It has everything. Melodies, variation, colorfulness, consistency, demolition, destruction (haha), musical creativity, speed, I cannot come up with a musical ingredient that is missing. Destruction really nailed it right the first time they got to write an LP. Eternal Devastation was also an amazing, outstanding masterpiece, but that album had some of the worst production in the history of thrash metal. So because of that, this really is the greatest Destruction album ever. Really, if you like old-school thrash metal, first of all, how the hell do you not know this record already? Second of all, put it on right now and don't turn it off until it's finished. Destruction - Band DescriptionDestruction is a seminal German thrash metal band that formed in 1982. Renowned for their high-speed riffs, aggressive drumming, and snarling vocals, Destruction has been a significant influence in the thrash metal genre. Their music is characterized by its relentless energy, technical proficiency, and raw intensity. Over the decades, Destruction has maintained their status as one of the leading bands in the thrash metal scene. 50 Similar ArtistsSlayerKreatorSodomExodusTestamentOverkillMetallicaMegadethAnthraxSepulturaNuclear AssaultDark AngelDeath AngelSacred ReichVio-LenceForbiddenHeathenFlotsam and JetsamCoronerVoivodAnnihilatorArtilleryRazorTankardOnslaughtWhiplashPossessedHiraxExumerToxikHoly MosesDemolition HammerWarbringerHavokToxic HolocaustEvileMunicipal WasteGama BombSuicidal AngelsAngelus ApatridaWarfectPower TripLich KingSkeletonwitchDeathBathoryBolt ThrowerMorbid SaintVenomAssassin

Price: 33.99 USD

Location: Baltimore, Maryland

End Time: 2024-09-22T00:50:47.000Z

Shipping Cost: 7 USD

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Destruction Infernal Overkill LP heavy metal death exumer sodom kreator venom

Item Specifics

All returns accepted: ReturnsNotAccepted

Artist: Anthrax, Death, Destruction, Morbid Angel, Morbid Saint, Mortician, Obituary, Pantera, Sepultura, Sodom, Warlord, Pentagram, Trouble, exciter, deicide, bolt thrower

Speed: 33 RPM

Record Label: High Roller Records

Release Title: Infernal Overkill

Color: Gold

Material: Vinyl

Inlay Condition: Mint (M)

Edition: Anniversary Edition, Limited Edition

Type: LP

Record Grading: Mint (M)

Format: Record

Release Year: 2021

Sleeve Grading: Mint (M)